![]() ![]() It was only a few years ago that I realized just how much finishing work they do and how efficiently they do it. I must admit that I always thought of the facility as a quality assurance and deliverable creation house. This was actually my second time at Point.360. Patrick had an opening in his schedule and agreed to be our colorist. Truth be told, I actually knew this before I walked in the door, but Porto’s sealed the deal. We had a great time catching up and, after about an hour, three potato balls, one cheese roll, and some plantain chips, I knew this was the place for my project. Oh, and two insanely talented colorists I have known for years! I stuffed a potato ball in my mouth and gave big hugs to Charlie Tucker and Patrick Woodard. I was taken into one of Point.360’s color suites and waiting for me was a selection of Porto’s pastries and finger foods. If you think I select my finishing locations based on proximity to restaurants, you wouldn’t be too far off. Not only did it have best-of-breed video post workflows, but it was also just a few blocks away from my favorite Cuban bakery, Porto’s. I went in for a meet and greet and tour of the facility, and I was thoroughly impressed. With just over 100 employees, Point.360 is considered a smaller post house in this area. Having spent 15 years working in a large post house, I wanted to see how a smaller shop would approach the project, so I reached out to Jason Kavner, senior vice president of episodic post production at Point.360 in Burbank. I’m based in Southern California and wanted to use a local facility. Porto’s seals the dealĪs the producer I needed to hire a post house for the film’s finishing work. He would be the first to tell you that if you really want to make something look and sound amazing, it takes a lot of people and a lot of teamwork to make it happen. Gonzalo knows exactly what he likes and has the experience and talent to communicate his visions through the camera. The cinematographer was a good friend, Gonzalo Amat, ASC, who I’ve worked with for many years on various projects. We shot it guerilla-style, using only available light, at locations in New York City. Late last year I had the pleasure of producing a short film for Sony to promote the launch of their VENICE 2 CineAlta camera. ![]()
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